ANDREAS LUTZ
Andreas Lutz’s (*1981 in Freiburg / Germany) initial works refer to alternative human machine interaction and the approach, to create integrated and universal communication systems. In his recent work, he increasingly analyzes and reveals phenomenons of perception versus reality and principles of abstract aesthetics with audio-visual installations. The creation of experimental soundscapes and the relation of semiotics and sound are further aspects of his work.
Among others, Lutz’s work has been exhibited at the Antarctic Pavilion during 57th Venice Biennale (Italy), the National Art Center Tokyo (Japan), at HeK Basel (Switzerland), at Times Art Museum in Beijing (China), at Karachi Biennale KB22 (Pakistan), at Stereolux Scopitone in Nantes (France), at B39 Art Bunker in Bucheon (South Korea), at ISEA2017 in Manizales (Colombia), at Galerie Mazzoli in Berlin (Germany), at FILE Festival in São Paulo (Brazil), ZKM in Karlsruhe (Germany), at Semibreve Festival in Braga (Portugal), at Nuit Blanche in Brussels (Belgium), at KOBE Biennale (Japan), at Berliner Festspiele (Germany) and at Athens Digital Arts Festival (Greece).
He has performed at transmediale / CTM Vorspiel in Berlin (Germany), at SuperDeluxe Tokyo (Japan), at Scopitone Festival in Nantes (France), at PRECTXE Festival in Bucheon (South Korea), at Festival de la Imágen in Manizales (Colombia), at E-Werk Freiburg (Germany), at WASP Bucharest (Romania) and at FORUM Kyoto (Japan). He is the founder of KASUGA Records, a Berlin-based record label for experimental electronic music and soundscapes.
Artwork details:
Title: Abstract Language Model (Transformation U+0000..U+FFFF)
Fileformat: .mp4
Year: 2023
Artwork description:
Trained artificial neural network, custom software
One-channel video, 36 seconds, 1440 x 1440 px, mp4-file
For Abstract Language Model, an artificial neural network was trained with the entire charactersets represented in the Unicode Standard. The resulting complex data models contain the translation of all available human sign systems as equally representable, machine-created states. Through extraction and interpolation of these artificially created semiotic systems a transitionless universal language originates, which can be seen as a trans-human / trans-machine language. The different states of this process are displayed with variations for Extraction, Analysis, Rearrange, Process, Transformation, Learning and Language.
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